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Verily, 'tis a melancholy tale I bear, of a scribe delayed in his task so fair.


This wordsmith, once nimble of hand and of wit, now finds himself stuck in a pit.

A pit of procrastination, of doubt, and of fear, that hath rendered his quill ever still and near.


His subject, a matter of great import, with tales to be told that should be in sport.

Yet, he doth suffer a delay most absurd, with the dawn of each day bringing not a single word.


His mind is a jumble of thoughts, all astray, and his heart a maelstrom of worry and dismay.

He hath lost his rhythm, his muses gone mute, and with each day that passes, his book doth refute.


He doth curse the fates, that have so cruel a twist, that hath left him stranded, with nary a script.

And so, with a sigh and a shake of the head, he doth confess that his book is not yet read.


But perchance, he shall find his way clear, and with a burst of inspiration, his tale shall appear.

For such is the way of the bard, and the scribe, that their works, in the end, shall forever abide



First published 14 Feb 2023


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A ground-breaking performance of Shakespeare's Richard Third opened to rave reviews in London tonight. The performance lasted only seven minutes, which was hailed as an unofficial world record. In other ways the performance was completely conventional, in that it did not diverge from the original script in any way.


The archaic phrases of the original work were spoken in a form of language and accent that would have been recognised in that era, and no compromise was made for those members of the audience who may have been unfamiliar with the Bard's original words.


However, the speed of delivery was far in excess of the relaxed pace that historians say was customary at the time. Anyone who may have encountered the great author for the first time would be forgiven for failing to catch a single word of the dialogue. In fact, even seasoned veterans were caught sneaking a look to catch up with the place in the story. Anyone new to the performance had no hope of picking up the subtle ideas or the deep insights inherent in the play.


All this is unimportant, said the producer, Tim Swiftly-De-Liver. "Oh anyone can understand Shakespeare" he proclaimed. "It's the universal language. It speaks to all people, at all times, in all situations" he said hand-wavingly. "And this way you get to the pub before last orders"





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